Category Archives: Calls for Creative Writing

Open Call: Struggle for the Future

Call for science fiction stories, poems, essays, and art featuring optimistic visions of the future and why we must fight to get there.

Deadline: Sunday, 5th March 2023
or up to 12th March with approval

The future is frightening. With global warming, climate collapse, increasing global pandemics, food insecurity, fascism, record numbers of people becoming refugees, and the looming threat of a nuclear World War 3, there’s not much to be hopeful for. But without hope, we have nothing to fight for.

This volume of the London Reader will feature optimistic visions of a future worth fighting for.

The London Reader is issuing an open call for stories, poems, essays, and art featuring the utopian side of sci-fi as well as the struggle to get there. These can be near-future or far-flung visions of a utopian society and the fully-realised lives of the people there. Or submissions can reveal the dystopian currents of today and the characters pushing back for a better future. Stories might feature beautiful garden cities full of solarpunks and techno-optimists or they might feature the star-spanning utopian civilisations of Star Trek or Iain M Banks’ Culture series and other visions of Fully-Automated Luxury Space Communism. Submissions can reveal the special circumstance of these techno-utopias and the people on their margins, or submissions can show us the difficult decisions that must be made by people struggling to get there.

Submissions can run the gamut from introspective to action-packed to tensely psychological, but they should focus on human characters and their lives and relationships as well as an optimistic vision of the future. In the struggle between utopia and dystopia, stories should have happy or bittersweet endings. But we are open to any compelling sci-fi submissions

What to submit: Creative works can be stand-alone pieces or collections, but should generally be fewer than 6,000 words or no more than one poem per submission. Multiple submissions, simultaneous submissions, and previously published submissions are welcome. Artwork should be favourably viewed on a tablet or single A5 page.

How to submit: The London Reader submission portal.

Possible Prompts:

  • A former soldier turned peace activist creates a virtual reality program that simulates the experience of war, in order to promote understanding and prevent conflicts.
  • A city-wide program for vertical gardening brings greenery and fresh food to urban areas, improving the lives of the diverse and quirky residents who call the city home.
  • A community of refugees of a future war come together to build a sustainable and self-sufficient village, providing a model for others to follow.
  • A shy, introverted computer programmer discovers a virtual world that allows people to experience different cultures and ways of life, which they hope will lead to a more tolerant and accepting society.
  • Ambitious old college roommates create a machine that can read people’s thoughts, which will kickstart a radical shift in communication and understanding but also raises ethical questions about privacy.
  • Two elderly farmers in a rural community develop a new type of crop that is resistant to drought and climate change, saving his community from famine.
  • A brilliant inventor creates a machine that can predict and prevent natural disasters, but must grapple with the moral implications when asked by a government agent to delete the data on a coming disaster.
  • A spaceship crew must navigate a complex political landscape when they discover a civilization on the brink of collapse and must decide whether to intervene and potentially change the course of its history.
  • A digital drop-out who has grown disillusioned with our constantly interconnected world has chosen to live a simpler lifestyle on a remote planet, and must navigate the challenges of living off the grid as they search for something more meaningful in life.
  • One of the super-intelligent AIs that run a far-future society, debates the morality of its actions and the potential consequences for the civilizations they interact with.
  • An ageing author who has chosen to be uploaded into virtual reality permanently, starts to question the meaning of existence in a world without physical limitations.
  • A young woman born into a fully-automated luxury space communist society struggles to find her place in a world where machines have replaced most human labour and wonders if there is still a role for her to play.
  • A group of space-born citizens visit Earth for the first time, and are confronted with the stark contrast between their utopia and the poverty and inequality still present on the planet.
  • A digital historian struggles to preserve society’s past as records and memories stored digitally and subject to manipulation.

Submit via the London Reader submission portal for this call.

Note that this form requires a Google account. If you have any questions or difficulty submitting, email coordinator@LondonReader.uk

The deadline for submitting on this theme is Sunday, 5th March 2023

Open Call: Travel Writing in Europe

Into the Eurozone & Onboard the Eurorail: Travel Stories from Beyond the Borders of Brexit

Deadline November 2nd, 2020

Brexit is locking down the British border for Brits and Europeans alike. Quarantine makes us nostalgic for last year’s trip with friends. Airline emissions now justify sightseeing by rail instead of leaping from continent to continent. Europe is changing. Air is out; rail, electric vehicles, and car-sharing are in. Borders that were razor-wire fences just a few decades ago have become lines in a road—and vice versa. Has Europe’s Erasmus generation grown up to become citizens of everywhere, or of nowhere? Sometimes travelling from one country to another is about the journey, sometimes it’s about the destination, sometimes it’s about the people met along the way, sometimes it’s about the people by your side, and sometimes it’s about the people left behind.

The London Reader is issuing an open call for short stories, travel writing, poems, photography, art, and postcard stories about travelling by land in Europe and neighbouring regions. We’re looking for road stories, interrail stories, city stories, language stories, hitchhiking stories, and border stories. We’re looking for stories focusing on character; stories of (bad) luck on the road; stories of the strangers met along the way, stories of fellow travellers, and stories of family left behind; slice-of-life observations from abroad; poetry about people, places, the traveller, or the road; stories about sustainable travel; stories about low-budget travel; stories of history present; stories of new experiences; stories of culture clash; stories about what it means to be a European after Brexit; and stories about epiphanies that change the traveller. The travel writing submitted to this issue can be true stories, well-researched fiction, or stories loosely based on true events. Submissions should be connected to Europe and focus on the experiences of characters.

The travel writing in this issue will explore themes of…

  • Human relationships and experiences on the road
  • Changing border barriers separating friends and family
  • Passport privilege and difficulties for marginalized people
  • Sustainable, low-emission travel
  • Alternative, low-budget travel
  • European identity in 2020

What to submit: Creative works can be stand-alone pieces or collections, but should generally be fewer than 5,000 words or no more than 4 poems per collection. Multiple submissions, simultaneous submissions, and previously published submissions are welcome. Artwork should be favourably viewed on a tablet or single A5 page

How to submit: The London Reader submission portal for this issue at https://forms.gle/eFa1imHZs7JigPV39 which requires a Google account

If you have any questions or difficulty submitting, email coordinator@LondonReader.uk

The deadline for submitting on this theme is November 2nd, 2020.

Open Call for Creative Writing: Mothers and Motherhood

Deadline November 4, 2019

What does it mean to be a mother in today’s changing world? How does the absence of mothering shape someone? How do mothers change their children, and children their mothers? Mothering today is hard. Instead of relying on the consistent advice of community, mothers are bombarded with values and theories by loved ones and strangers: breast is best, attachment parenting, forest schools, tiger mums, and elimination communication, to name a few. Becoming a mother is about more than being responsible for a life; it is also about learning how people now see you differently, and about choosing where you belong.

The London Reader is issuing an open call for short stories, true stories, creative nonfiction, flash/mini-fiction, poetry, photography, painting, and any other writing or art that explores the topic of mothers or motherhood. From challenging assumptions about mothers to revisiting the tradition of motherhood, the London Reader seeks personal and intimate stories about mothers and motherhood written by mothers themselves and by those reflecting on the impact of mothers on their lives.

Submissions to this issue can include:

  • Childhood memories of mothers and grandmothers
  • Poetry and stories about being a mother
  • Difficult family stories
  • Piecing together scraps of memory of a lost mother
  • Experiences of mothers who have had to move away from their extended family
  • Stories of pregnancies lost or terminated
  • The changing relationship between a mother and child over the decades
  • Stories about mothers’ lives outside of motherhood
  • Perspectives on LGBTQ+ or non-binary motherhood
  • Pregnancy and birth stories
  • Stories about being unable to be, or choosing not to be, a mother
  • Stories about the difficulties of relating to your children
  • And stories of fathers as well

Authors from international or marginalized communities with under-represented stories are especially encouraged to submit to help create a multifaceted portrait of motherhood in this issue.

What to submit: Creative works can be stand-alone pieces or collections, but should generally be fewer than 5,000 words or no more than 5 poems or visual works per collection. Multiple submissions, simultaneous submissions, and re-prints are welcome. Artwork should be favourably viewed on a tablet or single A5 page.

How to submit: The London Reader Submission Portal for this issue. If you have any questions or difficulty submitting, email coordinator@LondonReader.uk.

The deadline for submission on this theme is November 4, 2019.